Khellaf, Kyle. “Migration and Mobile Memory in the Roman Historical Digression,” in Usages of the Past in Roman Historiography, ed. Aske Damtoft Poulsen and Arne Jönsson (Leiden,Boston, and Köln: Brill), 262-97, 2021, ill.
Martinique, Elena. “Artists as Parents, A New Iconography at The Landing,” Widewalls, April 13,2021, ill.
De los Reyes, Tony. “Paranoid Architecture,” PARSE Journal, Immigration issue, University of Gothenberg, Sweden, Spring 2020, ill.
Knight, Christopher. "Tony de los Reyes Travels the Border."Los Angeles Times, January 31, 2014, ill.
Zellen, Jody. "rio grande/rio bravo at Angles Gallery." Art Ltd., March 2014, ill.
Walker, Alissa. "Cannibalism is the Theme of the Mexicali Biennial. But Not in the Way You'd Think." LA Weekly, January 17, 2013
Hebron, Micol. "Critic's Picks: Tony de los Reyes." Artforum.com, October 2012, ills.
Arellano, Gustavo."Border Theory Shows the Line that Blurs," OC Weekly, October 4 2012, ills.
Duncan, Michael. "Soul Searching in the USA," Art in America, March 2011,134-138, ills.
Donelan, Charles. "Tony de los Reyes Shows Chasing Moby-Dick at SBMA," Santa Barbara Independent, November 29, 2010, ills.
Hackett, Regina. “Tony de los Reyes: high seas bombast on a table,” ArtsJournal, online, October 6, 2009.
Graves, Jen. “Currently Hanging,” The Stranger, online, October 5, 2009, ills.
Newhouse, Kristina. “Tony de los Reyes: Ahab’s America,” X-Tra, Volume 11, Number 2, Winter 2008: 27-32, ills.
Mizota, Sharon. “Tony de los Reyes,” ArtNews, Volume 107, Number 6, June 2008: 138-139, ill.
Frank, Peter. “Falling Together,” LA Weekly, Volume 30, No. 21, April 11-17, 2008: 51, ill.
Leslie, Richard. “LA Art FAir,” Art Nexus, No. 65, Volume 6, 2007: 114.
Nys Dambrot, Shana. “Tony de los Reyes,” Modern Painters, November 2006: 104-105, ill.
Duncan, Michael. “Critics Picks: Opening Salvos in LA,” Art in America, November 2006: 76-79, ill.
Hebron, Micol. “Critic’s Picks: Tony de los Reyes,” Artforum.com, September 2006, ill.
Frank, Peter. “Major Drawings at Carl Berg Gallery,” ArtWeek, April 2006: 18.
Ollman, Leah. “The definition of drawing, expanded,” Los Angeles Times, March 10, 2006, ill.
Duncan, Michael. “Tony de los Reyes at Carl Berg,” Art in America, January 2006: 128, ill.
Enriquez, Luca. “Exploration and deconstruction,” The Seattle Times, December 16, 2005: 521, ill.
Bossick, Karen. “Honoring the Legacy of Delftware,” Wood River Journal, July 13, 2005.
Dugan, Dana. “Delftware made deftly,” Idaho Mountain Express, July 13, 2005: C1,C9, ill.
Knight, Christopher. “The Deft Look of Delftware,” Los Angeles Times, March 4, 2005, ill.
Sholis, Brian. “Los Angeles Critic’s Picks: Tony de los Reyes,” artforum.com, February 2005, ill.
Jana, Reena. “100% Acid Free at White Columns,” Art on Paper, March/April 2005.
Johnson, Ken. “Tony de los Reyes,” New York Times, October 22, 2004.
Korotkin, Joyce B. “The Neo-Baroque Era,” Tema Celeste, July/August 2004: 38-45, ill.
Roth, Charlene. “Mail-In Show at London Street Projects,” Artweek, March 2004: 22, ill.
Hackett, Regina. “The Sky’s the Limit at Howard House,” Seattle Post Intelligencer, October 31, 2003: 16, ill.
Wood, Eve. “To Move the Stars,” Essay for The Frustrated Landscape, 2002.
Walsh, Daniella. “Scenery as Metaphor,” Orange County Register, September 15, 2002.
Crotty, Benjamin. “Excerpts From the Porcelain Pavilion,” Tablet, July 2002, ill.
Josslin, Victoria. “Puttin’ on the Style: Tony de los Reyes at Howard House,” artdish.com, July 2002.
Demetre, Jim. “Tony de los Reyes,” Seattle Weekly, June 13-19, 2002: 74, ill.
Roth, Charlene. “Tony de los Reyes at Artplace,” Artweek, Vol. 32, Issue 7/8, July/August 2001, ills.
Sections
Khellaf, Kyle. “Migration and Mobile Memory in the Roman Historical Digression,” in Usages of the Past in Roman Historiography, ed. Aske Damtoft Poulsen and Arne Jönsson (Leiden,Boston, and Köln: Brill), 262-97, 2021, ill.
Martinique, Elena. “Artists as Parents, A New Iconography at The Landing,” Widewalls, April 13,2021, ill.
De los Reyes, Tony. “Paranoid Architecture,” PARSE Journal, Immigration issue, University of Gothenberg, Sweden, Spring 2020, ill.
Knight, Christopher. "Tony de los Reyes Travels the Border."Los Angeles Times, January 31, 2014, ill.
Zellen, Jody. "rio grande/rio bravo at Angles Gallery." Art Ltd., March 2014, ill.
Walker, Alissa. "Cannibalism is the Theme of the Mexicali Biennial. But Not in the Way You'd Think." LA Weekly, January 17, 2013
Hebron, Micol. "Critic's Picks: Tony de los Reyes." Artforum.com, October 2012, ills.
Arellano, Gustavo."Border Theory Shows the Line that Blurs," OC Weekly, October 4 2012, ills.
Duncan, Michael. "Soul Searching in the USA," Art in America, March 2011,134-138, ills.
Donelan, Charles. "Tony de los Reyes Shows Chasing Moby-Dick at SBMA," Santa Barbara Independent, November 29, 2010, ills.
Hackett, Regina. “Tony de los Reyes: high seas bombast on a table,” ArtsJournal, online, October 6, 2009.
Graves, Jen. “Currently Hanging,” The Stranger, online, October 5, 2009, ills.
Newhouse, Kristina. “Tony de los Reyes: Ahab’s America,” X-Tra, Volume 11, Number 2, Winter 2008: 27-32, ills.
Mizota, Sharon. “Tony de los Reyes,” ArtNews, Volume 107, Number 6, June 2008: 138-139, ill.
Frank, Peter. “Falling Together,” LA Weekly, Volume 30, No. 21, April 11-17, 2008: 51, ill.
Leslie, Richard. “LA Art FAir,” Art Nexus, No. 65, Volume 6, 2007: 114.
Nys Dambrot, Shana. “Tony de los Reyes,” Modern Painters, November 2006: 104-105, ill.
Duncan, Michael. “Critics Picks: Opening Salvos in LA,” Art in America, November 2006: 76-79, ill.
Hebron, Micol. “Critic’s Picks: Tony de los Reyes,” Artforum.com, September 2006, ill.
Frank, Peter. “Major Drawings at Carl Berg Gallery,” ArtWeek, April 2006: 18.
Ollman, Leah. “The definition of drawing, expanded,” Los Angeles Times, March 10, 2006, ill.
Duncan, Michael. “Tony de los Reyes at Carl Berg,” Art in America, January 2006: 128, ill.
Enriquez, Luca. “Exploration and deconstruction,” The Seattle Times, December 16, 2005: 521, ill.
Bossick, Karen. “Honoring the Legacy of Delftware,” Wood River Journal, July 13, 2005.
Dugan, Dana. “Delftware made deftly,” Idaho Mountain Express, July 13, 2005: C1,C9, ill.
Knight, Christopher. “The Deft Look of Delftware,” Los Angeles Times, March 4, 2005, ill.
Sholis, Brian. “Los Angeles Critic’s Picks: Tony de los Reyes,” artforum.com, February 2005, ill.
Jana, Reena. “100% Acid Free at White Columns,” Art on Paper, March/April 2005.
Johnson, Ken. “Tony de los Reyes,” New York Times, October 22, 2004.
Korotkin, Joyce B. “The Neo-Baroque Era,” Tema Celeste, July/August 2004: 38-45, ill.
Roth, Charlene. “Mail-In Show at London Street Projects,” Artweek, March 2004: 22, ill.
Hackett, Regina. “The Sky’s the Limit at Howard House,” Seattle Post Intelligencer, October 31, 2003: 16, ill.
Wood, Eve. “To Move the Stars,” Essay for The Frustrated Landscape, 2002.
Walsh, Daniella. “Scenery as Metaphor,” Orange County Register, September 15, 2002.
Crotty, Benjamin. “Excerpts From the Porcelain Pavilion,” Tablet, July 2002, ill.
Josslin, Victoria. “Puttin’ on the Style: Tony de los Reyes at Howard House,” artdish.com, July 2002.
Demetre, Jim. “Tony de los Reyes,” Seattle Weekly, June 13-19, 2002: 74, ill.
Roth, Charlene. “Tony de los Reyes at Artplace,” Artweek, Vol. 32, Issue 7/8, July/August 2001, ills.
Sections