TONY DE LOS REYES
Education
MFA, San Francisco Art Institute, San Francisco, CA
BFA, California State University, Northridge, CA
Lives and works in Los Angeles.
Selected Solo Exhibitions
2022 Quinn Emanuel Artist-in-Residence Exhibition, Los Angeles, CA
2017 System of Logical Abuse, Creative Artists Agency, Los Angeles, CA
2016 tecate dawn, tijuana noon, calexico supermoon, Cherry and Martin, Los Angeles, CA
2015 Border Theory, Lora Reynolds Gallery, Austin TX
2014 Rio Grande/Rio Bravo, Angles Gallery, Los Angeles, CA
2012 Border Theory, Grand Central Arts Center, Santa Ana, CA
Chasing Moby-Dick: Selected Works by Tony de los Reyes, New Britain Museum of American Art, New Britain, CT
2011 Heather James Fine Art, Palm Desert, CA
2010 Chasing Moby-Dick: Selected Works by Tony de los Reyes, Santa Barbara Museum of Art, Santa Barbara, CA
2009 The Prophet, Howard House, Seattle, WA
2008 Ahab’s America, Carl Berg Gallery, Los Angeles, CA
2007 American Baroque: Ruminations on Moby-Dick, Rio Hondo College Art Gallery, Whittier, CA
2006 Or the Whale, Carl Berg Gallery, Los Angeles, CA
The Imago Sea, Bentley Gallery, Scottsdale, AZ
2005 The Sea is the Ghost of the World, Howard House, Seattle, WA
The Last Archipelago, Carl Berg Gallery, Los Angeles, CA
2004 The Strange Tale of Near and Far, DCKT Contemporary, New York, NY
Selected Group Exhibitions
2022 This is Not America's Flag, The Broad museum, Los Angeles, CA
2021 New Iconography: Artists Raising Children, The Landing Gallery, Los Angeles, CA
Inaugural exhibition, new Contemporary Gallery wing, Santa Barbara Museum of Art, CA
2019 WALL: Defend, Divide, and the Divine, Annenberg Space for Photography, Los Angeles, CA
2018 V Bienal Ciudad Juárez - El Paso Biennal, Museo de Arte de Ciudad Juárez, El Paso Museum of Art, TX
2017 On the Move: A Century of Crossing Borders, Los Angeles County Museum of Art, Los Angeles, CA
2015 IV Bienal Ciudad Juárez - El Paso Biennal, Museo de Arte de Ciudad Juárez, El Paso Museum of Art, TX
We Must Risk Delight: Twenty Artists from Los Angeles, 56th Venice Biennale, Venice, IT
The Other Side: Chinese and Mexican Immigration to America, Asia Society, Houston, TX
2014 5th Annual Chicana/o Biennal, MACLA, San Jose, CA
The Other Side: Chinese and Mexican Immigration to America, USC Pacific Asia Art Museum, Pasadena, CA
2013 MexiCali Biennial: Cannibalism in the New World, Vincent Price Art Museum, Los Angeles, CA
The Crash of Ruin Fitfully Resounds, Luis de Jesus, Los Angeles, CA
2012 Carl Berg Projects, West Hollywood, CA
2011 COLA 2011, Los Angeles Municipal Art Gallery, Los Angeles, CA
2010 Lost at Sea, Heather James Fine Art, Palm Desert, CA
2008 Art on Paper, Weatherspoon Art Museum, Greensboro, NC
In-between Air, Land and Sea, Long Beach City College Art Gallery, Long Beach, CA
Weekend Warrior, Nathan Larramendy Gallery, Ojai, CA
2007 Mar Vista, Domestic Setting, Los Angeles, CA
2006 Major Drawings, Carl Berg Gallery, Los Angeles, CA
2005 A Great Mania, Sun Valley Center for the Arts, Ketchum, ID
Selected Public Collections
Los Angeles County Museum of Art
New York Public Library
New Britain Museum of American Art
Santa Barbara Museum of Art
Fellowships, Awards and Residencies
2022 Sustainable Arts Foundation
Quinn Emanuel Artist-in-Residence
2021 Some Serious Business Away, Abiquiu, NM
2018 Anderson Ranch, Artist-in-Residence (painting), Aspen, CO
2012 Center for Cultural Innovation ARC grant2011
California Community Foundation, Mid-Career Artist Fellowship COLA, City of Los Angeles Individual Artist Fellowship Award
2006 Kaus Australis, Artist-in-Residence, Rotterdam, Netherlands
Selected Bibliography
Khellaf, Kyle. “Migration and Mobile Memory in the Roman Historical Digression,” in Usages of the Past in Roman Historiography, ed. Aske Damtoft Poulsen and Arne Jönsson (Leiden,Boston, and Köln: Brill), 262-97, 2021, ill.
Martinique, Elena. “Artists as Parents, A New Iconography at The Landing,” Widewalls, April 13,2021, ill.
De los Reyes, Tony. “Paranoid Architecture,” PARSE Journal, Immigration issue, University of Gothenberg, Sweden, Spring 2020
Knight, Christopher. “Tony de los Reyes travels the border,” Los Angeles Times, January 31, 2014.
Hebron, Micol. “Critic’s Picks: Tony de los Reyes,” Artforum.com, October 2014, ill.
Arellano, Gustavo. “Border Theory Shows the Line that Blurs,” OC Weekly, October 4, 2012, ill.
Donelan, Charles. "Tony de los Reyes Shows Chasing Moby-Dick at SBMA," Santa Barbara Independent, November 29, 2010, ill.
Newhouse, Kristina. “Tony de los Reyes: Ahab’s America,” X-Tra, Volume 11, Number 2, Winter 2008: 27-32, ills.
Mizota, Sharon. “Tony de los Reyes,” ArtNews, Volume 107, Number 6, June 2008: 138-139, ill.
Frank, Peter. “Falling Together,” LA Weekly, Volume 30, No. 21, April 11-17, 2008: 51, ill.
Leslie, Richard. “LA Art FAir,” Art Nexus, No. 65, Volume 6, 2007: 114.
Nys Dambrot, Shana. “Tony de los Reyes,” Modern Painters, November 2006: 104-105, ill.
Duncan, Michael. “Critics Picks: Opening Salvos in LA,” Art in America, November 2006: 76-79, ill.
Hebron, Micol. “Critic’s Picks: Tony de los Reyes,” Artforum.com, September 2006, ill.
Frank, Peter. “Major Drawings at Carl Berg Gallery,” ArtWeek, April 2006: 18.
Ollman, Leah. “The definition of drawing, expanded,” Los Angeles Times, March 10, 2006, ill.
Duncan, Michael. “Tony de los Reyes at Carl Berg,” Art in America, January 2006: 128, ill.
Enriquez, Luca. “Exploration and deconstruction,” The Seattle Times, December 16, 2005: 521, ill.
Bossick, Karen. “Honoring the Legacy of Delftware,” Wood River Journal, July 13, 2005.
Dugan, Dana. “Delftware made deftly,” Idaho Mountain Express, July 13, 2005: C1,C9, ill.
Knight, Christopher. “The Deft Look of Delftware,” Los Angeles Times, March 4, 2005, ill.
Sholis, Brian. “Los Angeles Critic’s Picks: Tony de los Reyes,” artforum.com, February 2005, ill.
Jana, Reena. “100% Acid Free at White Columns,” Art on Paper, March/April 2005.
Johnson, Ken. “Tony de los Reyes,” New York Times, October 22, 2004.
Korotkin, Joyce B. “The Neo-Baroque Era,” Tema Celeste, July/August 2004: 38-45, ill.
Roth, Charlene. “Mail-In Show at London Street Projects,” Artweek, March 2004: 22, ill.
Hackett, Regina. “The Sky’s the Limit at Howard House,” Seattle Post Intelligencer, October 31, 2003: 16, ill.
Wood, Eve. “To Move the Stars,” Essay for The Frustrated Landscape, 2002.
Walsh, Daniella. “Scenery as Metaphor,” Orange County Register, September 15, 2002.
Crotty, Benjamin. “Excerpts From the Porcelain Pavilion,” Tablet, July 2002, ill. August 2011, ill.
Sections
TONY DE LOS REYES
Education
MFA, San Francisco Art Institute, San Francisco, CA
BFA, California State University, Northridge, CA
Lives and works in Los Angeles.
Selected Solo Exhibitions
2022 Quinn Emanuel Artist-in-Residence Exhibition, Los Angeles, CA
2017 System of Logical Abuse, Creative Artists Agency, Los Angeles, CA
2016 tecate dawn, tijuana noon, calexico supermoon, Cherry and Martin, Los Angeles, CA
2015 Border Theory, Lora Reynolds Gallery, Austin TX
2014 Rio Grande/Rio Bravo, Angles Gallery, Los Angeles, CA
2012 Border Theory, Grand Central Arts Center, Santa Ana, CA
Chasing Moby-Dick: Selected Works by Tony de los Reyes, New Britain Museum of American Art, New Britain, CT
2011 Heather James Fine Art, Palm Desert, CA
2010 Chasing Moby-Dick: Selected Works by Tony de los Reyes, Santa Barbara Museum of Art, Santa Barbara, CA
2009 The Prophet, Howard House, Seattle, WA
2008 Ahab’s America, Carl Berg Gallery, Los Angeles, CA
2007 American Baroque: Ruminations on Moby-Dick, Rio Hondo College Art Gallery, Whittier, CA
2006 Or the Whale, Carl Berg Gallery, Los Angeles, CA
The Imago Sea, Bentley Gallery, Scottsdale, AZ
2005 The Sea is the Ghost of the World, Howard House, Seattle, WA
The Last Archipelago, Carl Berg Gallery, Los Angeles, CA
2004 The Strange Tale of Near and Far, DCKT Contemporary, New York, NY
Selected Group Exhibitions
2022 This is Not America's Flag, The Broad museum, Los Angeles, CA
2021 New Iconography: Artists Raising Children, The Landing Gallery, Los Angeles, CA
Inaugural exhibition, new Contemporary Gallery wing, Santa Barbara Museum of Art, CA
2019 WALL: Defend, Divide, and the Divine, Annenberg Space for Photography, Los Angeles, CA
2018 V Bienal Ciudad Juárez - El Paso Biennal, Museo de Arte de Ciudad Juárez, El Paso Museum of Art, TX
2017 On the Move: A Century of Crossing Borders, Los Angeles County Museum of Art, Los Angeles, CA
2015 IV Bienal Ciudad Juárez - El Paso Biennal, Museo de Arte de Ciudad Juárez, El Paso Museum of Art, TX
We Must Risk Delight: Twenty Artists from Los Angeles, 56th Venice Biennale, Venice, IT
The Other Side: Chinese and Mexican Immigration to America, Asia Society, Houston, TX
2014 5th Annual Chicana/o Biennal, MACLA, San Jose, CA
The Other Side: Chinese and Mexican Immigration to America, USC Pacific Asia Art Museum, Pasadena, CA
2013 MexiCali Biennial: Cannibalism in the New World, Vincent Price Art Museum, Los Angeles, CA
The Crash of Ruin Fitfully Resounds, Luis de Jesus, Los Angeles, CA
2012 Carl Berg Projects, West Hollywood, CA
2011 COLA 2011, Los Angeles Municipal Art Gallery, Los Angeles, CA
2010 Lost at Sea, Heather James Fine Art, Palm Desert, CA
2008 Art on Paper, Weatherspoon Art Museum, Greensboro, NC
In-between Air, Land and Sea, Long Beach City College Art Gallery, Long Beach, CA
Weekend Warrior, Nathan Larramendy Gallery, Ojai, CA
2007 Mar Vista, Domestic Setting, Los Angeles, CA
2006 Major Drawings, Carl Berg Gallery, Los Angeles, CA
2005 A Great Mania, Sun Valley Center for the Arts, Ketchum, ID
Selected Public Collections
Los Angeles County Museum of Art
New York Public Library
New Britain Museum of American Art
Santa Barbara Museum of Art
Fellowships, Awards and Residencies
2022 Sustainable Arts Foundation
Quinn Emanuel Artist-in-Residence
2021 Some Serious Business Away, Abiquiu, NM
2018 Anderson Ranch, Artist-in-Residence (painting), Aspen, CO
2012 Center for Cultural Innovation ARC grant2011
California Community Foundation, Mid-Career Artist Fellowship COLA, City of Los Angeles Individual Artist Fellowship Award
2006 Kaus Australis, Artist-in-Residence, Rotterdam, Netherlands
Selected Bibliography
Khellaf, Kyle. “Migration and Mobile Memory in the Roman Historical Digression,” in Usages of the Past in Roman Historiography, ed. Aske Damtoft Poulsen and Arne Jönsson (Leiden,Boston, and Köln: Brill), 262-97, 2021, ill.
Martinique, Elena. “Artists as Parents, A New Iconography at The Landing,” Widewalls, April 13,2021, ill.
De los Reyes, Tony. “Paranoid Architecture,” PARSE Journal, Immigration issue, University of Gothenberg, Sweden, Spring 2020
Knight, Christopher. “Tony de los Reyes travels the border,” Los Angeles Times, January 31, 2014.
Hebron, Micol. “Critic’s Picks: Tony de los Reyes,” Artforum.com, October 2014, ill.
Arellano, Gustavo. “Border Theory Shows the Line that Blurs,” OC Weekly, October 4, 2012, ill.
Donelan, Charles. "Tony de los Reyes Shows Chasing Moby-Dick at SBMA," Santa Barbara Independent, November 29, 2010, ill.
Newhouse, Kristina. “Tony de los Reyes: Ahab’s America,” X-Tra, Volume 11, Number 2, Winter 2008: 27-32, ills.
Mizota, Sharon. “Tony de los Reyes,” ArtNews, Volume 107, Number 6, June 2008: 138-139, ill.
Frank, Peter. “Falling Together,” LA Weekly, Volume 30, No. 21, April 11-17, 2008: 51, ill.
Leslie, Richard. “LA Art FAir,” Art Nexus, No. 65, Volume 6, 2007: 114.
Nys Dambrot, Shana. “Tony de los Reyes,” Modern Painters, November 2006: 104-105, ill.
Duncan, Michael. “Critics Picks: Opening Salvos in LA,” Art in America, November 2006: 76-79, ill.
Hebron, Micol. “Critic’s Picks: Tony de los Reyes,” Artforum.com, September 2006, ill.
Frank, Peter. “Major Drawings at Carl Berg Gallery,” ArtWeek, April 2006: 18.
Ollman, Leah. “The definition of drawing, expanded,” Los Angeles Times, March 10, 2006, ill.
Duncan, Michael. “Tony de los Reyes at Carl Berg,” Art in America, January 2006: 128, ill.
Enriquez, Luca. “Exploration and deconstruction,” The Seattle Times, December 16, 2005: 521, ill.
Bossick, Karen. “Honoring the Legacy of Delftware,” Wood River Journal, July 13, 2005.
Dugan, Dana. “Delftware made deftly,” Idaho Mountain Express, July 13, 2005: C1,C9, ill.
Knight, Christopher. “The Deft Look of Delftware,” Los Angeles Times, March 4, 2005, ill.
Sholis, Brian. “Los Angeles Critic’s Picks: Tony de los Reyes,” artforum.com, February 2005, ill.
Jana, Reena. “100% Acid Free at White Columns,” Art on Paper, March/April 2005.
Johnson, Ken. “Tony de los Reyes,” New York Times, October 22, 2004.
Korotkin, Joyce B. “The Neo-Baroque Era,” Tema Celeste, July/August 2004: 38-45, ill.
Roth, Charlene. “Mail-In Show at London Street Projects,” Artweek, March 2004: 22, ill.
Hackett, Regina. “The Sky’s the Limit at Howard House,” Seattle Post Intelligencer, October 31, 2003: 16, ill.
Wood, Eve. “To Move the Stars,” Essay for The Frustrated Landscape, 2002.
Walsh, Daniella. “Scenery as Metaphor,” Orange County Register, September 15, 2002.
Crotty, Benjamin. “Excerpts From the Porcelain Pavilion,” Tablet, July 2002, ill. August 2011, ill.
Sections